Here is a list of the 10 most popular opera composers by performance numbers. The data used to compile this list is from Operabase, perhaps the world’s greatest source of opera data. All data is for the most recently completed full season – the 2017/2018 season. In the top 10 Read more…
Here is a list of the 10 most famous arias in the world. Bask in the glorious sounds of some of the world’s greatest singers singing tunes from the world’s most famous operas. Performers include Luciano Pavarotti, Maria Callas, Renée Fleming, Dmitri Hvorostovsky, and Anna Netrebko. “La donna è mobile” Read more…
With Lyric Opera of Chicago’s opening of Donizetti’s Lucia di Lammermoor, a prime example of the Italian style known as bel canto, this weekend, I thought now would be a good time for a little refresher. So, what exactly is bel canto? “Opera buffs today use the term bel canto Read more…
It’s an intoxicating time of year for operagoers! The 2016/2017 opera season is just beginning, and it looks like it’s going to be a fantastic year! Here are a few of the biggest productions to keep your eyes on this fall…
The Metropolitan Opera is opening its season with Wagner’s Tristan und Isolde next week on Monday, September 26, 2016. This revolutionary work is often viewed as one of the earliest pieces to take definitive steps away from tonal music, as represented by the famous Tristan chord, an integral part of the Tristan leitmotiv. For those of you not in New York, you will still have a chance to see a live performance of this groundbreaking work at the cinema on October 8, 2016 at noon Eastern Time. Later in October I am particularly excited to watch the Met’s Don Giovanni, one of the Mozart – Da Ponte collaborations, at the cinema.
They were all the rage in the early 19th century, a time when bel canto dominated the operatic stage. The vast majority of mad scenes were written for the leading soprano, providing her the ultimate opportunity to showcase her skills. Many of these pieces are extremely demanding, full of Read more…
On September 14, 2016, a little after 7:00 p.m., Peter Mercer-Taylor made Gounod’s Roméo et Juliette come alive for me for the first time at the Minnesota Opera Behind the Curtain event at the Minnesota Opera Center in Minneapolis’s North Loop district. This rather obscure mid-19th century opera has never had a consistent place in the canon, but after Mercer-Taylor’s lecture, I wonder if it deserves one.
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Here are the ten most popular operas by number of performances according to Operabase, perhaps the world’s greatest organizer of opera data. The figures apply to the 2017/2018 season. Verdi appears twice, Puccini and Mozart three times each, and Bizet and Rossini both once. La traviata, by Verdi. This masterpiece Read more…
You may have heard the term recitative when you hear people talk about opera, but what exactly is recitative? This is my definition of recitative – any semi-spoken, semi-sung non-repetitive part of an opera that advances the action. Typically, the earlier the opera is, the easier it is to distinguish between recitative and other operatic sections, such as arias or ensemble pieces.
Don’t just take my word for it; listen to the great Leonard Bernstein talk about recitative…
Many people (shall we say most?) find opera somewhat inaccessible. I get that – it’s old, boring, and sung in foreign languages. It’s also not easy to break free from the “it ain’t over ’til the fat lady sings” vibe; how often is opera depicted in shows, movies, or cartoons as some fat lady with brass chest plates belting out god-knows-what over an 80 member orchestra? My goal: (more…)
