Mozart

The Marriage of Figaro

Overview – Le Nozze di Figaro (The Marriage of Figaro)

For me, opera begins with Mozart’s Le Nozze di Figaro (The Marriage of Figaro) – the first of three Wolfgang Amadeus Mozart – Lorenzo Da Ponte collaborations (the other two were Don Giovanni and Così fan tutte). Of course there were many operatic masterpieces before this 1786 work, even a couple by Mozart himself (Idomeneo and Die Entführung aus dem Serail, for instance), but there’s something special about Le Nozze, a work that has never been out of the standard repertory. Premiering three years before the French Revolution, Le Nozze is a product of the Enlightenment, a time when reason ruled and liberty, fraternity, and equality were ideals worth fighting for.

Opera Sense recommended recordings of Le Nozze di Figaro:

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By Trevor Gillis, ago
Don Giovanni, Met Opera

Don Giovanni @ Metropolitan Opera, Live in HD

The Metropolitan Opera’s latest production of Don Giovanni was about as traditional as it gets, but that’s just fine when the music is as exceptional as Mozart’s and the words as witty as Da Ponte’s.

Don Giovanni, Met Opera

Near the end of Act I, from the Met’s website

The Met’s second installment of its Live in HD program took place on Saturday afternoon, October 22, 2016. The opera was Don Giovanni, the product of the second of three Da Ponte – Mozart collaborations (the first was Le Nozze di Figaro, written a year before Giovanni, in 1786, and the third was Così fan tutte, which premiered in 1790, a year before the composer’s death). The work is arguably the pinnacle of Mozart’s ability to depict characters in music, and it has provided fodder for critics, philosophers, musicians, and other artists ceaselessly for nearly 230 years.

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By Trevor Gillis, ago
Dawn Upshaw

Diva of the Day: Dawn Upshaw

Diva Dawn Upshaw has a light and sparkly soprano sound, ideally suited to soubrette roles. It was in just such a role that I first heard her – as Susanna in a Metropolitan Opera recording of Mozart’s Le Nozze di Figaro.
Diva Dawn Upshaw

Diva Dawn Upshaw – Biography

Upshaw was born in 1960 in Nashville, Tennessee. She studied at the Manhattan School of Music, after which she won numerous awards, including the Young Concert Artists International Auditions in 1984 and the Walter M. Naumburg Competition in 1985. She made her Met debut in 1984. Upshaw was diagnosed with early-stage breast cancer in 2006, for which she received treatment.

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By Trevor Gillis, ago
Mario Antonio Marra

“The drama is very direct and true,” Mario Antonio Marra on Lyric Opera of Chicago’s Lucia di Lammermoor

With Lyric Opera of Chicago’s production of Donizetti’s Lucia di Lammermoor opening this weekend, we wanted to interview someone who is both intimately involved in the production and has a profound and personal connection with this bel canto masterpiece. Mario Antonio Marra, the pianist for the production, was gracious enough to answer a few of our questions.

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By Trevor Gillis, ago
Most popular opera

The performances to see early this 2016 / 2017 season

It’s an intoxicating time of year for operagoers! The 2016/2017 opera season is just beginning, and it looks like it’s going to be a fantastic year! Here are a few of the biggest productions to keep your eyes on this fall…

The Metropolitan Opera is opening its season with Wagner’s Tristan und Isolde next week on Monday, September 26, 2016. This revolutionary work is often viewed as one of the earliest pieces to take definitive steps away from tonal music, as represented by the famous Tristan chord, an integral part of the Tristan leitmotiv. For those of you not in New York, you will still have a chance to see a live performance of this groundbreaking work at the cinema on October 8, 2016 at noon Eastern Time. Later in October I am particularly excited to watch the Met’s Don Giovanni, one of the Mozart – Da Ponte collaborations, at the cinema.

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By Trevor Gillis, ago
Recitative

What is recitative?

You may have heard the term recitative when you hear people talk about opera, but what exactly is recitative? This is my definition of recitative – any semi-spoken, semi-sung non-repetitive part of an opera that advances the action. Typically, the earlier the opera is, the easier it is to distinguish between recitative and other operatic sections, such as arias or ensemble pieces.

Don’t just take my word for it; listen to the great Leonard Bernstein talk about recitative…

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By Trevor Gillis, ago

A few arias to go along with your coffee

Opera music can be a bit much to chew early in the morning, but here are a few pieces that I find go well with my morning coffee.

Although not an aria, it just can’t get much more beautiful than that, can it? Those french horns – wow! “Elsa’s Procession to the Cathedral” is from Wagner’s Lohengrin. I think the title of the piece does a fairly good job explaining what’s happening in the opera when you hear it. (more…)

By Trevor Gillis, ago