Here is a list of the 10 most popular opera composers by performance numbers. The data used to compile this list is from Operabase, perhaps the world’s greatest source of opera data. All data is for the most recently completed full season – the 2017/2018 season. In the top 10 Read more…
The opening of Lyric Opera of Chicago’s Die Walküre was a thrilling spectacle to behold. Operagoers who were fortunate enough to experience the five-hour event were spellbound by a stunning set, gorgeous orchestral colors, and exquisite vocal performances. This production exposes the magic behind the theatrics. It takes place in a Read more…
Christine Goerke is one of today’s most sought after opera stars for the roles of Brünnhilde and Elektra, but her massive sound and assortment of colors aren’t limited to these two roles she has come to dominate; she’s equally compelling as Cassandra, or Ortrud, or Turandot, or, well, basically every Read more…
Prior to the Das Rheingold preview night at Minnesota Opera on Thursday, November 10, 2016, I had the great pleasure of sitting down with Minnesota Opera Resident Artist Jessica Hall, one of the two opera pianists for Minnesota Opera’s current production of Wagner’s Das Rheingold, the prologue in his epic Read more…
At 7:30 p.m. on Thursday, November 10, 2016, I had the distinct pleasure of witnessing history in the making – I attended the preview night of the first ever Minnesota Opera production of Wagner’s Das Rheingold, the prologue in Wagner’s epic four-opera cycle Der Ring des Nibelungen (The Ring of Read more…
Maestro Michael Christie has been Music Director of the Minnesota Opera since the 2012 / 2013 season, and since that time he has helped shape the Minnesota Opera into the powerhouse it has become.
Maestro Michael Christie conducting
For the first time in its history, Minnesota Opera is putting on one of the four works from Richard Wagner’s epic Der Ring des Nibelungen (The Ring of the Nibelung, or the Ring Cycle). Minnesota Opera patrons will have the privilege to hear Maestro Michael Christie conduct Das Rheingold (The Rhinegold), the prologue in the four-opera Cycle (the other three operas in the Cycle include Die Walküre, Siegfried, and Götterdämmerung), early next month.
Wagner’s Tristan und Isolde marked my first experience watching one of the Met’s Live in HD productions, and I’m afraid it may be difficult to return to the stage theater to watch opera having experienced it. The six or so of us in attendance sat in reclining chairs like these:
Here is a link to the Metropolitan Opera Guild’s podcast on Wagner’s Das Rheingold. The talk is given by Peter Allen, and it is fantastic. This is a great way to begin learning about the Ring for opera novices, but opera buffs are likely to learn a thing or two Read more…
One of the things I’ve always found fascinating about opera is the fact that it can be so many different things to different people; for one person, an opera may simply be an opportunity to listen to some gorgeous music. For someone else, the story itself may be the most intriguing element. Yet others may find enjoyment only upon researching and “doing their homework” on the work, digging into the opera’s musical and dramatic themes. I personally derive the greatest pleasure from an opera when I know the work well, and we at Opera Sense are committed to helping people learn as much as they can about this life-changing genre. To that end, here are a few free online resources you can use to get to know our Opera of the Month – Das Rheingold – better…
Since we’re looking at a Wagner opera – Das Rheingold – this month as our Opera of the Month, we need to discuss leitmotivs. By the end of this post, you should have a solid understanding of what a leitmotiv is, who used them, and why they’re useful. Opera Sense Read more…
